Peter Stevens designed the beautiful curves of the Mclaren F1, which has been described as the finest car in history. The F1 was the fastest production car for an incredible twelve years (1993-2005) and clocked an insane 231 mph in 1993 (seventy years earlier, the Nieuport-Delage aircraft had surpassed the 230 mph barrier in the air). As visiting professor of car design for the Royal College of Art and a lover of aviation, Hush-kit decided to grill Stevens on planes, beauty… and flying-cars!
From where does your love of aviation stem?
Principally from my Godfather who was a Wing Commander in a Lancaster squadron, I built him an Airfix model of one when I was about 12 years old, and as a scientist he then built a scale wind tunnel at Birkbeck College so that he could demonstrate the principals of flight to me. He lived just at the back of Duxford air field and we would often sneak in there.
What was your most notable flying experience?
When I first discovered what ‘wake turbulence’ meant! Not long after qualifying for my PPL I was taking off from Leavesden air strip near Watford and was instructed by the tower to depart right after an HS 125, at about 250 feet the little Grumman Tiger that I was flying, just about fell out of the sky. I will be forever grateful to my instructor Keith who had drilled in to me ‘lower the nose, level the wings and then regain control’, it worked, hence these replies to your questions. Or maybe the idiot who flew in on finals at Elstree beneath me and never even saw me. He was excellently roasted by the tower after I had gone round again!
What is your favourite aircraft and why?
No question, the SR-71 Blackbird! When you consider that the project was underway back in 1955 and that part of the brief was to make an aircraft that would be almost impossible to describe in conventional terms at that time, in order to protect the secret nature of the project, it put all forward thinking into perspective. For any designer this is a crucial thing, the ability to think beyond contemporary norms is very difficult but it is what you have to do if you want to make progress.
What do you consider the most beautiful aircraft (if different from above)?
It sounds so easy to say the Spitfire but for me it’s true. Most summer weekends a couple of Spitfires fly low over our house, either on their way to or from air displays. They come from a strip just a bit North of where we live in Suffolk. And the reason they still look (and sound!) so beautiful is part of a personal theory that I have. The Hurricane is a fabulous aircraft but I suspect that the draughtsmen who would have drawn the full-size lines of the ‘plane would have been local to Hatfield and would most probably have had amongst their drawing kit ‘railway curves’. These are very large radius curves used during the laying out of railway tracks. If you then connect these very big radius lines, often almost straight lines, with regular corner radii you get a Hurricane. The Spitfire, on the other hand was drawn up in Southampton where the draughtsmen would have come from the boat building industry, and they would have amongst their drawing kit ‘ships curves’, these are transitional curves that slowly tighten or flatten over their lengths. Hence the more sensuous lines of the Spitfire. Despite the arrival of CAD I still use ships curves for the most important lines on a car. These curves are sometimes call ‘French curves’ and are some of my most valued studio possessions.
The architect Norman Foster has a model of the Northrop YB-49 flying wing in his studio, do you have a model aircraft in yours?
Two little models, a Gee Bee (such outrageous proportions), a DC-3 (first plane I flew in with my Godfather), and a BIG model of a Bleriot Monoplane (those first days of flight were just so romantic).
What effect has aviation had on car design, if any? For instance has the faceted, angular stealth shape of modern aircraft influenced any designs?
In aircraft term all cars can be described as being reliant on ‘low speed aerodynamics’ but the actual shapes are often taken from very high speed aircraft. This could be considered dishonest but designers are so often looking for the ‘next new thing’. When designing a fast road-car the whole aero thing is so different from that to be considered when designing a race car. On a road car you do not want lift but you also do not want much downforce at all, otherwise the springs will need to be so stiff to avoid scraping the ground at high speeds that the thing will ride like a truck at low speeds. I do think that designers are looking at things like the F-117 stealth fighter for inspiration, the Lamborghini Aventador is a good example of this trend.
What was the most beautiful era for aircraft design?
It’s easy to get carried away with the romantic notions of early aircraft and see Golden Eras in the past, or to use the daft old adage used in race car design that ‘if it works well and wins it’s automatically beautiful’, but that is just not true. There are aircraft from all eras that are beautiful and many that are not.
Do you have any thoughts about the crossover (if any) between the purely aesthetic design fields and that of applied design (like in aviation).
I suppose that in the past designer were more inclined to be just surface decorators, this was particularly true in the Victorian age. But as popular ideas of design focused on simpler forms the designer took charge of both the form and the surface decoration. Whether this time line followed or preceded that of painters and sculptors, I am not sure (subject by a PhD I think). What I have observed is that some pure engineers have a very real sensitivity towards the difference between a ‘good line’ and a ‘poor line’, Both Patrick Head and John Barnard, ex Formula One designers, were very aware of the importance of a ‘good line’ to them. This comes back to the Spitfire and Hurricane debate.
A related point – cars and aircraft that are designed apparently for purely aerodynamic concerns are often very beautiful, indeed often the most beautiful examples of their kind. Why should this be?
I think that a sensitivity for what airflow wants to do is an unusual trait, these days CFD (Computational fluid dynamics) can produce technically correct solutions that lack any degree of harmony in the resultant forms. You can push the airflow around but you cannot force it to do what it does not want to do, I see the air as being lazy and wanting to take the least stressful path and it is the same for your hand when passing over a form. Natural transitions as seen in nature almost always have something to tell us about the best aerodynamic shapes. A good example in car design is the Jaguar XJ 13 of 1966/67; Designer Malcolm Sayer was an aerodynamicist at Jaguar but also a superb designer and the car exudes style.
What will be the next technology to move from aviation to motoring or vice versa, for example have F1 drivers used helmet mounted displays or have any advanced materials recently passed into cars from the aerospace world?
I think that more specialised carbon composites, particularly penetration resistant ones could find their way into race cars. The head-up display thing (the HUD) or the much more complex Apache helmet mounted system is now not needed in F1 cars because (unfortunately) there is an army of guys monitoring all the systems in the car and making strategy calls from the back of the pit garage, or even in some cases monitoring stuff back at the factory.
What will aeroplanes look like in 100 or even 1000 years time?
In 100 years I suspect that military aircraft will be pilotless but I think that private flying will remain popular but the machines will be so much more efficient and ‘drama’ proof. The huge amount of progress made in automated systems for cars, like stability control etc will find their way into aircraft in the near future. In a 1000 years we will without doubt travel virtually or maybe in person, very rarely, using our rare and expensive carbon/energy credits that we will have to earn by our ultra low energy personal lifestyles. How grim is that!
Will flying cars ever become popular?
As popular as amphibious cars. Who would want a crap car that is also a very poor aircraft? Just like who wants a miserable car that is also a thoroughly poor boat?
Hush-kit is reminding the world of the beauty of flight.
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Give a British aviation enthusiast more than two pints and he will invariably tell you the story of TSR.2. This tale of an axed nuclear bomber will be told to you in a far more tender tone than he used to talk about his wife. This bar room lecture will climax in an angry rant at the crass, penny-pinching government that killed Britain’s flying dreams. Hush-Kit exists because of the donations of people like you (donate button above and below).
The story goes: Britain produces a world-beating aircraft, technologically superior to anything else- a fast, long ranged, survivable strike aircraft. A foolishly short-sighted Labour government cancel it. The British aircraft industry was already in terminal decline from Duncan Sandys’ mad announcement of the end of manned aircraft in 1957. The killing of TSR.2 was the final act of vandalism, leaving the industry that had given the world the Spitfire, the Hurricane and Hunter to wither and die.
This idea was fed to me from the rather good Take-Off magazines I read as a child. The story is a compelling one, it reaches into the recesses of the British psyche. It plays to the heart of a faded colonial superpower and affectionately pats the chip that sits on many British (particularly English) men’s shoulder.
‘You could have been the best, if only…’ is a powerful sentiment, and always reassuring, as it can’t be disproved. The only problem with the TSR.2 story is the foundations it rests upon are very shaky. Let’s imagine a world where TSR.2 was not cancelled in 1965….
A World where TSR-2 was not cancelled
Several events conspired to save the TSR.2 from cancellation. The replacement of the MoD chief scientific advisor Solly Zuckerman (inventor of both the helmet and ‘folly’ of the same name’) certainly helped. Zuckerman, a fierce opponent of TSR.2, quit in 1964 amid allegations that his personal beliefs regarding nuclear weapons were affecting his professional decisions. With the appointment of a new, pro-TSR.2 advisor, things were looking brighter for the ‘white bomber’, which took to the air on 27 September 1964 confounding the critics with its superb performance.
Meanwhile, backroom dealings between the Royal Navy and the RAF were taking place. This unusually cordial discourse took place amid fears that inter-service squabbling could see the end of funding to both air carriers and manned land-based bombers. Though by this time RAF fears that the subsonic Buccaneer would be forced on them in place of TSR.2 were dispelled, it was clear to both services that the effectiveness of future nuclear-armed submarines threatened traditional ideas of how big air forces and navies needed to be.
The Ferranti company was found to be grossly overcharging for Bloodhound missiles (surface-to-air missiles designed to defend V-bomber and Thor missile bases) and this scandal led to big questions being asked about the survivability of V-bombers in a full-scale war and lead to further support of the TSR.2. Meanwhile Prime Minister Wilson’s commitment to ‘ the White Heat’ of technology, saw R&D investment increase (though initially only for civil aircraft projects). As money poured into Concorde, the coffers were also opened for TSR.2.
However, the development of TSR.2 was proving to be a nightmare. The highly advanced avionics system caused huge delays and saw the price of the project sky-rocket. To survive against the world’s biggest integrated air defence network, the bomber would use a combination of speed, electronic counter-measures and flight profiles below enemy radar. To safely fly at speeds approaching Mach 1 at 200 ft, in the murk of Northern European weather or at night would require a new technology.
UK electronics giant Ferranti was charged with developing the world’s first terrain following radar (TFR) for TSR.2, which it had been working on since 1958. It initially made excellent progress, flying successful trials in its test Dakota and Canberra (WT327). The radar was first fitted to a TSR.2 in late 1965. Initial tests concentrated on testing the radar at low level (200 ft) at speeds approaching the speed of sound, it been flown this low before, but not at these speeds.
The severe vibration proved too much for the pioneering radar and Ferranti went to back the lab to start a virtual redesign. This meant that TSR.2 entered service without its most vital sensor- the radar. After soaking up millions of pounds in, the Ferranti TFR was eventually cancelled, and the UK turned to the US company Texas Instruments to provide the TFR.
It wasn’t just the avionics that were causing problems, BAC itself had issues. The British Aircraft Corporation, formed in 1960, was a forced merger of English Electric Aviation Ltd., Vickers-Armstrongs (Aircraft), the Bristol Aeroplane Company and Hunting Aircraft. Though the company had one name, BAC was still a patchwork quilt of different, often incompatible cultures. The pressure of TSR.2 development made the already fragmented world of BAC even worse, with arguments over factory work-share and work practice leading to drawn-out industrial debates, and in early 1968, the infamous strike.
The USA strikes back
The RAF had ordered 300 TSR-2s, and the type entered service in 1969. Confident in the aircraft’s abilities, Britain was actively marketing the aircraft to several nations including Australia and Iran. This alarmed the US aerospace industry, fearful of a new contender in the fiercely competitive export market. The closest US aircraft was the F-111, which was not receiving much export interest, being seen as too expensive and complex (many air arms were also put off by its initially poor performance over Vietnam), others saw it as inflexible, as it could not perform the fighter mission. Due to its advanced nature, export limitations where also in place. McDonnell Douglas responded with a ground attack optimised F-4 Phantom II in the early 1970s. Primarily aimed at the European market, this impressive aircraft was fitted with TFR, FLIR and a laser target designator. A fuselage ‘plug’ and uprated engines gave the new Phantom impressive range/payload performance. The aircraft was dubbed ‘Strike Phantom’. The US mounted a covert anti-TSR.2 campaign, sowing doubt on the type’s maturity and highlighting the growing cost. Strike Phantom were sold to Italy, West Germany and Iran (which used them to great effect in the Iran-Iraq War). Meanwhile the TSR.2 was struggling to achieve its first export sale. Compared to the Strike Phantom, TSR.2 was big, very expensive, hard to maintain and lacking a laser-guided bombing capability.
The big tree that took all the sunlight
With TSR.2 going ahead the Anglo-French AFVG (Anglo-French Variable Geometry) aircraft, a swing-wing carrier compatible fighter (for interceptor, tactical strike and reconnaissance roles), was discontinued. In turn the UKVG was also not proposed and so did not lead to MRCA, which would have grown into Tornado. With the future of the ground attack mission safely in TSR.2’s hands, the Anglo-French Jaguar went back towards its Taon roots, becoming a small (marginally supersonic) trainer with next to no offensive capability. The Jaguar’s success as a trainer meant the Hawk was never built. Without the collaborative base of Panavia, attempts by various European companies to start work on a new fighter in the 1980s failed to gain momentum, and the Typhoon never was.
Though in many ways a capable aircraft, TSR.2 was ultimately the aircraft that killed both Britain and Europe’s warplane industry and left it dependent on the United States.
First flight 27th September 1964.
In 1968 TSR.2 was named ‘Tornado’
The TSR.2 entered service on April 1st 1969 in interim TSR.Mk 1 standard.
Upgraded to definitive Tornado TSR.Mk 2 standard with fully functioning Texas Instruments TFR in 1978.
Two TSR.2s crashed on the infamous failed ‘White Buck’ mission against Argentina in 1982.
TSR.2s were suggested for US attacks on Libya 1986, but declined for political reasons. Upgraded in 1986 to Tornado TSR.Mk.3, TSR.Mk.3A (recce) and TSR Mk.3B (anti-shipping with Sea Eagles) standard. UK buys 165 F-15F Eagle (enhanced two-seat F-15C fitted with Sky Flash and radar upgrade) in 1986 to replace Lightning and complement F-4 fleet.
During Desert Storm the large low-flying TSR.2 (with its significant IR signature) proved vulnerable to SAMs, 8 lost (of 30 sent) to enemy, 4 lost in accidents.
Fatigue problems and increased attrition rate causes a search for a replacement.The US offered F-15E and second-hand F-111s, France offered Mirage 2000D/N derivative with UK systems, Sweden offered upgraded AJ 37 Viggens. After prolonged procurement assessment the F-15G was chosen in 1994 (124 ordered). The F-15G features UK ECM equipment, weapons and Martin-Baker ejection seats. The F-15G entered service in 1998, Tornado TSR.2 was withdrawn from attack role in 2000 (after Balkans deployment). 12 recce versions upgraded to TSR.2.Mk 4As standard and remained in service until 2004, used in Afghanistan.
2012 RAF fast jet fleet: 110 F-15Fs, 100 F-15G(UK).
If you enjoyed this, check out our exclusive article on Britain’s P.1154 STOVL fighter: https://hushkit.wordpress.com/2012/07/20/the-hawker-p-1154-britains-supersonic-jumpjet/ and remember to donate if you’d like to.